Portrait of Johanna le Maire (c. 1601-60), Nicolaes Eliasz Pickenoy, c. 1622 - c. 1629

Identification

Title(s)

Portrait of Johanna le Maire (c. 1601-60)

Object type

painting

Object number

SK-A-4957

Inscriptions / marks

date, top right: ‘162[.]’
coat of arms, top left: quartered, 1 and 4: three black Moor’s heads on a silver field, 2: three gold boar’s heads on a red field, 3: three rows of black ermine tails on a gold field

Description

Portret van Johanna Le Maire, sedert 1622 echtgenote van Pieter van Son. heupstuk, staande, handschoenen in de rechterhand. Linksboven het familiewapen. Pendant van SK-A-4956.

Creation

Artist

painter: Nicolaes Eliasz Pickenoy

Dating

c. 1622 - c. 1629

Material and Technique

Physical features

oil on panel

Material

Technique

paint

Measurements

support: height 105.2 cm × width 77.7 cm
outer size: depth 8.5 cm (support incl. frame)

Subject

What

Who

Johanna Le Maire

Acquisition and rights

Credit line

Purchased with the support of the BankGiro Lottery

Acquisition

purchase 2000

Copyright

Public domain

Provenance

...; sale, Edward Georg Coles (Pebble Combe, Headley, Epsom, and subsequently Tumber House, Headley), London (Christie’s), 19 November 1962, no. 27;...; anonymous sale, London (Christie’s), 14 April 1978, no. 100, £ 7,500;...; anonymous sale, London (Christie’s), 14 December 1990, no. 117;...; private collection, Turin;{Note RMA.}...; sale, London (Christie’s), 7 July 2000, no. 15, to the museum

Bibliography and list of abbreviations for the provenance (pdf)

Notes

Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.

Relations

Documentation

Dutch portraits : the age of Rembrandt and Frans Hals, p. 66 + fig. 60
Artists born between 1570 and 1600, p. 311, 312
De 250 rijksten van de Gouden Eeuw : kapitaal, macht, familie en levensstijl, Kees Zandvliet, Mariëlle Hageman, Gijs van der Ham, Clé Lesger, p. 114-115, cat.nr. 55
De historische sensatie : het Rijksmuseum geschiedenisboek, p. 58-59
Kopstukken : Amsterdammers geportretteerd 1600-1800, Jan Baptist Bedaux, Norbert E. Middelkoop, cat.nr. 3b
De glorie van de Gouden Eeuw : Nederlandse kunst uit de 17de eeuw : schilderijen, beeldhouwkunst en kunstnijverheid, Jan Piet Filedt Kok, Judikje Kiers, Fieke Tissink, p. 67 (afbeelding), cat.nr. 39
Die Braut : geliebt, verkauft, getauscht, geraubt : zur Rolle der Frau im Kulturvergleich, René König, Gisela Völger, Karin von Welck, p. 336-343, ill. p. 337
Een paar geborduurde handschoenen, Nederland, ca. 1622, Bianca M. du Mortier
De handschoen in de huwelijkssymboliek van de zeventiende eeuw, Bianca M. du Mortier
M. van Melle, 'Tegen de monopolisten van de VOC', Ons Amsterdam 2 (2007), p.72.
B. du Mortier, 'Uniek ensemble herenigd', in: Jaarverslag Rijksmuseum Amsterdam, Amsterdam 2000, p. 74-75, afb.

Persistent URL

To refer to this object please use the following persistent URL: http://hdl.handle.net/10934/RM0001.COLLECT.360666

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