Portrait of Pieter van Son (c. 1590-1654), Nicolaes Eliasz Pickenoy (attributed to), c. 1622 - c. 1629

Identification

Title(s)

Portrait of Pieter van Son (c. 1590-1654)

Object type

painting

Object number

SK-A-4956

Inscriptions / marks

coat of arms, top right: three triple gold bars on a black field with a red chief charged with a standing gold lion. Crest: a barred helmet half-turned to the left surmounted by a lion rampant, with mantling and torse

Description

Portret van Pieter van Son, sedert 1622 echtgenoot van Johanna Le Maire. Heupstuk, staande, met handschoenen in de linkerhand, de rechterhand in de zij. Rechtsboven het familiewapen. Pendant van SK-A-4957.

Creation

Artist

painter: Nicolaes Eliasz Pickenoy (attributed to)

Dating

c. 1622 - c. 1629

Material and Technique

Physical features

oil on panel

Material

Technique

paint

Measurements

support: height 105.5 cm × width 79.3 cm
outer size: depth 8.7 cm (support incl. frame)

Subject

What

historical persons

Who

Pieter van Son

Acquisition and rights

Credit line

Purchased with the support of the BankGiro Lottery

Acquisition

purchase 2000

Copyright

Public domain

Provenance

...; sale, Edward Georg Coles (Pebble Combe, Headley, Epsom, and subsequently Tumber House, Headley), London (Christie’s), 19 November 1962, no. 27;...; anonymous sale, London (Christie’s), 14 April 1978, no. 100, £ 7,500;...; anonymous sale, London (Christie’s), 14 December 1990, no. 117;...; private collection, Turin;{Note RMA.}...; sale, London (Christie’s), 7 July 2000, no. 15, to the museum

Bibliography and list of abbreviations for the provenance (pdf)

Notes

Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.

Relations

Documentation

Hollanders in beeld : portretten uit de Gouden Eeuw, p. 66, afb. 59
Artists born between 1570 and 1600, p. 311, 312
Dutch portraits : the age of Rembrandt and Frans Hals, p. 66, afb 59
De 250 rijksten van de Gouden Eeuw : kapitaal, macht, familie en levensstijl, Kees Zandvliet, Mariëlle Hageman, Gijs van der Ham, Clé Lesger, p. 114-115 (afb.), cat.nr. 55
Kopstukken : Amsterdammers geportretteerd 1600-1800, Jan Baptist Bedaux, Norbert E. Middelkoop, cat.nr. 3a
De glorie van de Gouden Eeuw : Nederlandse kunst uit de 17de eeuw : schilderijen, beeldhouwkunst en kunstnijverheid, Jan Piet Filedt Kok, Judikje Kiers, Fieke Tissink, p. 67, cat.nr. 39
Die Braut : geliebt, verkauft, getauscht, geraubt : zur Rolle der Frau im Kulturvergleich, René König, Gisela Völger, Karin von Welck, p. 336-343
De handschoen in de huwelijkssymboliek van de zeventiende eeuw, Bianca M. du Mortier
B. du Mortier, 'Uniek ensemble herenigd', in: Jaarverslag Rijksmuseum Amsterdam, Amsterdam 2000, p. 74-75, afb.
Documentatiemap SK

Persistent URL

To refer to this object please use the following persistent URL: http://hdl.handle.net/10934/RM0001.COLLECT.360664

Questions?

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