(stads)landschap Route
Visit 19 works of this collection in the Rijksmuseum
Follow this route using the Rijksmuseum app
Open this page on your smartphone. Through the Rijksmuseum app, we'll guide you from one work to the next.
The app will guide you step by step along these artworks in the museum.
(stads)landschap in the museum
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Dolls-house Ceiling-Painting of a Cloudy Sky with Birds, Nicolaes Piemont (attributed to), c. 1690 - c. 1709
Room 2.20
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View of the Golden Bend in the Herengracht, Gerrit Berckheyde, 1671 - 1672
Room 2.27
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Zicht op de bouw van een brug met stalen frame, Eva Besnyö, c. 1935 - c. 1940
Room 3.2
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Woodland Pond at Sunset, Gerard Bilders, c. 1862
Room 1.18
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Beach at Ebb Tide, Charles-François Daubigny, c. 1850 - c. 1878
Room 1.18
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On the Heath near Laren, Anton Mauve, 1887
Room 1.18
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Rue Notre-Dame, Paris, Johan Barthold Jongkind, 1866
Room 1.18
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Boat with a Pollard Willow, Matthijs Maris, 1863
Room 1.18
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A Windmill on a Polder Waterway, Known as ‘In the Month of July’, Paul Joseph Constantin Gabriël, c. 1889
Room 1.18
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The Sea, Jan Toorop, 1887
Room 1.18
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The Canal at ’s-Graveland, Pieter Gerardus van Os, 1818
Room 1.14
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A Town Gate in Leerdam, Jan Weissenbruch, c. 1868 - c. 1870
Room 1.14
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Italian Landscape with Umbrella Pines, Hendrik Voogd, 1807
Room 1.12
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The Entrance to the Park of Saint-Cloud, Paris, Pieter Rudolph Kleijn, 1809
Room 1.12
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The Herepad in the Haagse Bos, Paulus Constantijn la Fargue, 1778
Room 1.11
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View toward the Mont Blanc Massif from the Artist’s Studio at Geneva, with a Self-portrait, Jean-Etienne Liotard, 1765 - 1770
Room 1.9
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The Saint Elizabeth’s Day Flood, Master of the St Elizabeth Panels, c. 1490 - c. 1495
Room 0.4
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The Saint Elizabeth’s Day Flood, Master of the St Elizabeth Panels, c. 1490 - c. 1495
Room 0.4
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Pilgrimage to Mount Fuji, Yoshida Hiroshi, 1925 - 1930
Room 2
Create your own route now
‘Collect’ your favourite works of art from the Rijksmuseum. We will automatically plot out a route that takes you past them all, then guide you step by step through the museum via the app.
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