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…; collection Antoon van Welie (1866-1956), The Hague, 1937;{Note RMA.}…; sale, The Dowager Countess of Pembroke and Montgomery et al. [section ‘Various Properties’], London (Sotheby’s), 20 July 1960, no. 114, as Cortona, £ 240, to Cramer;{Copy RKD.} from whom, fl. 11,000, to the museum, with support from the Commissie tot Verkoop van Fotografieën, 1960
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum.
In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
C. Whitfield, Artist of Arcadia, Apollo CLXII (2005), p. 45-51
Art Newspaper, 2002-10, p. 5
E. Schleier, Inediti di Francesco Cozza, Arte Illustrata 43/44, IV (1971), p. 7, afb. 17 (afgebeeld zijn ook de exemplaren in het museum in Kopenhagen en in de verzameling Brinsley Ford, 14 Wyndham Place, Montpellier Square, Londen)
J. Offerhaus, Openbaar Kunstbezit XIII (1969), p. 36
L. Mortari, Un paesaggio di Francesco Cozza con 'Agar e Ismaele', Arte Antica e Moderna (1961), p. 374 (waarin o.a. een tot nu toe anonieme tekening in Rome als mogelijke voorstudie voor dit schilderij wordt gepubliceerd)
Schilderij naar Francesco Cozza van Hagar en Ismaël in de woestijn in privé collectie, Amsterdam