The Crucifixion, Giovanni da Milano, c. 1360
tempera on panel, h 51cm × w 30.5cm More details
The Crucifixion, Giovanni da Milano, c. 1360
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Identification
Title(s)
The Crucifixion
Christus aan het kruis met de HH. Franciscus, Maria Magdalena, Maria, Johannes en Ignatius van Antiochië
Object type
Object number
SK-A-4000
Inscriptions / marks
- inscription: ‘Amor meus crucifisus est.’
Description
Christus aan het kruis. Onder het kruis staan links de heilige Maria Magdalena en Maria. De heilige Franciscus van Assisi knielt en omhelst het kruis. Rechts staan Johannes en de heilige Ignatius van Antiochië. Twee engelen vangen het bloed van Christus op in kelken. Rechts een banderol met tekst.
Creation
Material and Technique
Subject
Acquisition and rights
Acquisition
transferred 1960
Copyright
Provenance
…; purchased from the dealer J. Böhler, Munich, by Prof. Dr Otto Lanz (1865-1935), Amsterdam, before 1906;{Amsterdam 1906a, p. 12, no. 3, as Agnolo Gaddi; Amsterdam 1934, no. 231; File RMA.} his widow, Anna Theresia Elisabeth Lanz - Willi (1870 - 1954), Amsterdam, 1935; from whom, CHF 2,000,000 and fl. 350,000, with xx other paintings, to Hans Posse (1879-1942), for Adolf Hitler’s Führermuseum, Linz, through the mediation of the dealer N. Katz, 1941;{Van Os 1978, p. 167.} war recuperation, SNK, 15 February 1946 (inv. no. NK 2335);{Provenance from 1934 to 1945 reconstructed by Ekkart et al. 2006; MCCP website, file card no. 3653; the Munich Central Collecting Point Number 3653 is recorded in blue on the reverse of the panel.} on loan from the DRVK to the museum, 1952 (inv. no. SK-C-1424); transferred to the museum, 1960
Bibliography and list of abbreviations for the provenance (pdf)
Notes
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
Relations
Related
- Opstelling in zaal HG-0.2
- Opstelling in zaal HG-0.2
- Opstelling in zaal HG-0.2
- Opstelling in zaal HG-0.2
- Opstelling in zaal HG-0.2
- AC-00008010object | reproductionobject | reproductieSK5213 18x24RM0001.COLLECT.1500008009
- AC-00081591object | reproductionobject | reproductieSKAPP873RM0001.COLLECT.1500081590
Documentation
- Giovanni da Milano, Luigi Cavadini, p. 42-43, cat.nr. 4
- Giovanni da Milano, Daniela Parenti, p. 208-209, cat.nr. 18
- Punch marks from Giotto to Fra Angelico, Erling S. Skaug
- Aan de oorsprong van de schilderkunst: vroege Italiaanse schilderijen in Nederlands bezit = The birth of panel painting : early Italian paintings in Dutch collections, Rik Vos
- All the paintings of the Rijksmuseum in Amsterdam, Pieter J.J. van Thiel, p. 242-243
- The Florentine paintings in Holland, 1300-1500, Hendrik Willem van Os
- The development of the Italian schools of painting, Raymond van Marle, dl. 4, p. 238
- C. Travi, 'Giovanni da Milano', in: Allgemeines Künstlerlexikon : Die bildenden Künstler aller Zeiten und Völker 55, Monaco/Lipsia 2007, p. 42.
- M. Gregori, 'Giovanni da Milano', in: EAM 6, Rome 1995, p. 733.
- M. Boskovits, 'Notes sur Giovanni de Milano', Revue de l'Art 2 (1971), p. 57.
- M. Boskovits, Giovanni da Milano, Florence 1966, p. 13, 37.
- A. Marabottini, 'Una Crocifissione di Giovanni da Milano en i soggiorni del pittore in Toscana e in Lombardia', Commentari 16 (1965), p. 31.
- Cat.tent. Ausstellung von Werken alter Kunst aus dem Privatbesitz von Mitgliedern des Kaiser Friedrich Museums Vereins, Berlin (Königlichen Akademie der Künste) 1914, cat.nr. 96.
Persistent URL
To refer to this object please use the following persistent URL:
http://hdl.handle.net/10934/RM0001.COLLECT.8497
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