Landscape with Trees and a Ruin, Anthonie Jansz. van der Croos, c. 1650 - c. 1655

…; ? collection Willem Philip Kops (1755-1805), Haarlem; ? his daughter, Anna Johanna Kops (1785-1825), Haarlem; her husband, Jonkheer Jan Pieter Teding van Berkhout (1786-1856), Haarlem;{Drawings from the Teding van Berkhout collection that neither appear in Hendrik Teding van Berkhout the elder’s list of purchases nor carry his inventory number (in blue pencil) may have descended from the collection of Willem Philip Kops; cf. C. van Tuyll van Serooskerken in K. Levy-van Halm (ed.), De trots van Haarlem. Promotie van een stad in kunst en historie, exh. cat. Haarlem (Frans Hals Museum) 1995, pp. 7, 12-13.} his son, Jonkheer Hendrik Teding van Berkhout (1830-1904), Haarlem (L. 2421);{The mark is mentioned by Lugt, no. 2421, but with incorrect illustration, _TB_ instead of _TvB_, cf. K. Levy-van Halm (ed.), _De trots van Haarlem. Promotie van een stad in kunst en historie_, exh. cat. Haarlem (Frans Hals Museum) 1995, pp. 9 (fig. 3) and 18; see also Note 1 above.} his son, Jonkheer Hendrik Teding van Berkhout (1879-1969), Amsterdam and Haarlem;{Note RMA.} his daughters, Suzanna Frida Barones van Höevell-Teding van Berkhout (1909-2003), Bergen, and Jonkvrouwe Anna Clara Teding van Berkhout (1910-2001), Amsterdam;{Note RMA.} from whom, fl. 2,000, to the museum (L. 2228), with the support of the Rijksmuseum-Stichting, 1979

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Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.