David Playing his Harp before Saul, with a Servant and Other Musicians, Willem Drost (attributed to), c. 1650 - c. 1655

…; collection Sir Joshua Reynolds (1723-92), London (L. 2364); ? his sale, London (A.C. de Poggi), 26 May 1794, possibly one of the drawings in Album QQ, nos. 960-85, or Album PP, nos. 987-1009 (drawings not specified); or his sale, London (H. Phillips), 5 March 1798 sqq. (drawings not specified); …; collection Edward Vernon Utterson (1775/76-1856), London (L. 909); ? his sale, London (Christie’s), 24 February 1857 sqq., possibly no. 541, as Rembrandt; …; collection Francis Abbott (1801-93), Edinburgh;{According to the catalogue for the sale, Comte Louis-François de Robiano et al., Amsterdam (A.W.M. Mensing), 15 June 1926 sqq., no. 424; the collector’s mark (L. 970) mentioned in the sale catalogue text is no longer present and may have been on a former mount.} his sale, Edinburgh (Dowell), 22 January 1894 sqq., no. 371, as Rembrandt, £ 12.12.0;{Copy RKD.} …; sale, Comte Louis-François de Robiano (1785-1855, Brussels) et al., Amsterdam (A.W.M. Mensing), 15 June 1926 sqq., no. 424, as Rembrandt, fl. 2,600, to the dealer E.J. van Wisselingh, Amsterdam;{Copy RKD.} …; collection Léonardus Nardus (1868-1955), New York, Paris and Tunisia;{Note RMA.} …; with the dealer J. Walter, Kasteel Heijen, Gennep, by 1962;{Delft 1962, unpag., repr.} from whom, as school of Rembrandt, fl. 5,000, to the museum (L. 2228), 1963

Bibliography and list of abbreviations for the provenance (pdf)

Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.