Portrait of Antonio Canova, Michele Benedetti, after Johann Baptist Lampi (II), c. 1805
This portrait shows Canova at work on his most famous creation, the funerary monument for Archduchess Maria Christina of Austria (see adjacent). A winged genius – a type of guardian angel – lies on a mourning lion to the right of the tomb’s entrance. The cloak worn by the sculptor and the laurel wreath are honorific vestments, not work clothes. The print was made after a painting owned by the Russian diplomat Razumovski and is dedicated to him.