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Russisch meisje, slapend naast de barak. Achter haar zit een vrouw in de verte te staren. De gevangenen moesten in de tijd dat ze niet werkten of op appèl stonden zo zuinig mogelijk met hun energie omgaan. De Russin komt uit Auschwitz; dit is te zien aan de tatoeage op haar arm. In Ravensbrück werden geen nummers op de arm getatoeëerd.
? Collection of the artist; her daughter, Dunya Breur (1942-2009), Amsterdam; from whom on loan to the museum, 2002-2009;{RMA Archive, letter 2 September 2002.} on loan from the artist’s grandsons, Sander Breur, Amsterdam and Gerben Breur, Amsterdam, to the museum, 2012
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum.
In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.