Wine glass, anonymous, after Theodor de Bry, 1652
The images contrast love given freely with love that is paid for. The inscriptions translate as: ‘I for love’ and ‘I for money’.
Wine glass, anonymous, after Theodor de Bry, 1652
The images contrast love given freely with love that is paid for. The inscriptions translate as: ‘I for love’ and ‘I for money’.